Pixels (part 2)

With the information in my blog post entitled Pixels (part 1) [how-many-pixels-part-1], you may conclude that 8×10 inch prints call for a 5 megapixel camera. That’s generally true, but not entirely. It is possible to use computer software to artificially increase the number of pixels. Different software programs may perform differently. The general rule of thumb is you can double the number of pixels. So, you might print very good 8×10 prints though your camera only records 3 megapixels.

Maybe you just bought a new DSLR that records images up to 15 megapixels. Those 15 megapixel images may require three times more storage than 5 megapixel images. If you shoot
some pictures on Tuesday, intended for 11×14 prints, set your camera to record large size. If you shoot some pictures on Wedensday, intended for computer screens only, set your camera to record small size.

Pixels get a little weird when you move to television display. Pixels on a computer are square. A digital image that is 400×400 pixels will display square on your computer monitor. Not so on a television screen. Television pixels (defined by either NTSC or PAL standards) are not square.

Consider an picture aspect ratio of 4:3, meaning the picture is 25% wider than it is tall. Standard television (not HD) has a 4:3 picture aspect ratio. Yet the resolution is 720×480 pixels, which numerically seems to be 50% wider than it is tall. But rest assured it is 4:3 because each television pixel is taller than it is wide. (Take a very close look at a television and you can see this is so. It is more difficult to see on a HD television.) While pixels in a computer or in your camera are equally wide as they are tall (often called square pixels), pixels in television are taller than they are wide.

Fir branch under ice


Hiking in the white mountains of NH on Dec.1, there was no snow at the trail head, but eventually became a foot deep. Having made such a mistake once before (several years ago), I kicked myself for doing it again.

It was a long cold day, but there were rewards. In particular there were a few little streams that crossed the trail with small waterfalls only a few inches in height. The spray of water caused some interesting ice formations, including the one shown here. The fir branch was covered in ice, but the mossy rock beneath it was not, presumably because the movement of the water was enough to prevent freezing.

In retrospect, the choice of aperature plays an important role in the success of this image. Both the extreme foreground and the extreme background are slightly out of focus. However, I wish I had framed the image a bit more to the left to avoid the ice touching the left edge of the frame.

Click on the image for a larger view.

Canon EOS 5D mk II, 70-200mm (@ 170), ISO 800, f/7.1, 1/200 sec

The Third Sheep

Often, I will plan to be at a certain place at sunrise in order to photograph with the warm sunrise light. However, on this particular day, the weather forecast called for cloudy and cold. So I did not leave my motel room until 7:30am and only then found that some sun was dodging through the cloud cover.
Looking at a map, I chose some back roads to explore. The first road followed a river, but I saw nothing that caught my photographic intentions. Then I drove off through some farmland and stumbled upon these sheep, grazing on a hillside covered with frost. Atop the hill, the sun was catching the orange leaves of autumn maple trees. At the bottom of the hill was a still pool catching reflections.
Just a bit of sunlight on the trees, combined with general cloud cover, the conditions were fleeting and did not last. I captured about a dozen images; this is one of my favorites.
Where is the third sheep? Uphill, further toward the trees, out of frame … but appears in the reflection.

Canon EOS 5D mkII; 70-200mm @ 200; ISO 800, 1/320, f/10