On The Ball

Having acquired a stellar small tripod last fall (Mo’ Gitzo) I subsequently needed to outfit these legs with a small-ish ball head.  What is small-ish?  It should weigh no more than 1 lb and should support a camera (with lens) of 20 lbs.

Because I equip my cameras with a quick-release system that called “Arca-Swiss compatible”, I immediately eliminate any possible choices that will not support Arca-Swiss quick-release.   (So, for example, I rule-out some tripod heads by Manfrotto, Giotto, Benro, etc.)

Markins Q3T ball head is designed with a diameter that is perfect match for a Gitzo GT1541T tripod.   However, while the Q3T is ideally suited for the GT1541T, it offers no particular advantage when paired with the GT1542T, which I have.  (If you are taller than 5’7, the GT1542T is a better choice than the shorter GT1541T

Some other possible choices include Really Right Stuff BH-30, Fiesol BC-40D, and Induro BHL1.  But, in the end, I chose the PhotoClam PC-36NS.  The size is perfectly suited for the GT1542T and it only weighs just a bit more than 12 oz (350g).  The variable friction is extremely smooth and requires no break-in period.  Includes a built-in bubble level.   $209 from reallybigcameras.com.

Three terrific ball-heads

Shown in the photo above:   Linhof Profi III  (big, very expensive, smooth like butta) with a Kirk Enterprises clamp, Arca-Swiss Z1 (the standard in professional ball heads), PhotoClam PC-36NS.

 

CreativeLive.com

If you have not yet heard of CreativeLive, you are really missing out!
Free training on a wide variety of subjects: studio portraiture, food photography, wedding photography, film-making with DSLR, Photoshop, Lightroom, Final Cut Pro, making eBooks.   Great instructors such as Art Wolfe, Zack Aris, Vince Laforet.

This weekend’s 3-day class is taught by Gail Tattersall, director of photography for film and television (http://galetattersall.com).

It’s simple.  Go to CreativeLive.com, see what classes are coming soon.
Four ways to learn

  • to attend in-person (Seattle WA), you can apply per each class
  • watch live for free on the internet
  • watch re-broadcast free at the end of the day
  • purchase video download

The internet video stream is available in two different sizes, standard and low-bandwidth.
A smart phone or iPad should handle the low-bandwidth stream just fine.

If you want to have the video permanently, you can purchase video download.  In fact, this is how CreativeLive operates as a buisiness.  The content is so good, many people pay for the video. 

I’ve been happily learning from CreativeLive classes ever since their first 3-day class more than a year ago.  Back then, there were some technical glitches (e.g. loss of audio), but those days seem to be long gone.  The reliability of the internet video stream has been really solid.  More important, their instructors and class content have been stellar.

www.creativelive.com

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WorldWide PhotoWalk

Today was the third annual WorldWide PhotoWalk, sponsored by Scott Kelby.  Although I volunteered to lead a walk in Rockport, someone else beat me to it.  So, instead, I joined someone else’s walk in Boston.

Because we walked through the streets of Beacon Hill in Boston, there were a lot of architectural photographs.  One image I am including here is a wide angle, tight crop, and at an odd angle in order to completely fill the frame.

Click the image for a larger view.

Social media – reality vs hype

Personally, I know friends and family who tenatively signed up for social media, such as Facebook, at the urging of someone else, but ultimately do not find it compelling. Worse yet, for some people, social media is simply more noise in their already busy lives. Yet, many many writers online continue to promote social media as absolutely essential for modern living. So … what is the disconnect here? Is it reality or hype?

The primary disconnect lies in how different people use social media differently. There are millions of people who use Twitter, Facebook, YouTube, etc just for fun, posting videos of their family vacation, or exchanging thoughts on matters that endure for mere minutes to maybe a week (then forgotten). Then there are tens of thousands of small buisiness owners who are trying to maintain their professional identity or “brand” on the internet. In truth, there is a broad spectrum of users. Most people do not have a critical interest in promoting themselves online. Most of the talking and writing is being done by people whose buisiness involves internet services and/or media, particularly independant contractors, consultants, and small buisiness owners who rely upon clients or simply fans. But if you sell tires at a local auto mart, “social media” is mostly hype.

In a recent blog post, photographer Jim Goldstein made some very good clarifying points regarding social media, particularly for visual artists. He contrasts different types of online networking. Static web sites are oriented around posting content, to which viewers might possibly leave comments or ask questions. Blogs are a part of that, perhaps encouraging more reader feedback. Podcasts are similar, though there seems less of an option for leaving comments/feedback. Discussion forums provide more of multi-person conversation, where participants can periodically pop in and see if anything interesting is being discussed. Although Jim does not mention it, there is another style here, the digest; a forum may optionally send to you a digest topics that interest you. Ultimately, down the far end of the spectrum, you end up at Twitter, a gumbo of communication streams that never stop.

“The interesting thing about Social Media and how to get the most out of it is to change ones mindset from merely posting content, but to talking to your target audience about your content.” – JG

My own perspective is that all these tools are just that, tools. Not everyone needs every tool, though some writers seem to suggest it is so. If you don’t have a lot of time on your hands, Twitter is probably not for you. And if you’re looking for work, Facebook may not be the most effective tool.

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